FADE IN:
I troll a lot of screenwriting forums, messageboards, dank corners of the internet for hints, tips and latest writing trends -- how many are still putting MORE and CONT'D at the ends of pages haha (the word is CHEAT, people)
Anyway, it makes me giggle like a schoolboy seeing his first naked woman that so many offer sledgehammer advice as to how it is supposed to be done.
The latest NO-NO's going around are:
1. No more "torture porn" horror scripts
2. No more remakes of classic horror films
3. No prequels to established franchises
4. No more convoluted 20 minute long expository twist endings
5. No more regular movies turned into musical versions
6. No more CGI cartoon characters
7. No more trick sequels where the numerical ending is dropped off ala Live Free Or Die Hard, which is really Die Hard 4.
The explanation of those seven can be found on this Cinematical Post.
But what can we put on that list to make it a proper Top 10? Do you agree or disagree with any of the seven? Give me some trends in movies today that excite your or piss you right off.
Personally, my feeling is that excellent writing will prevail. If you are slaving away at any one of those seven, or three of your own not on the list, and your writing kicks butt, one day you will shine under the Hollywood sign's lights no matter what you chose to do... either that, or be hanging off the letter H by sun up... so keep writing brothers and sisters, cousin Lou, Uncle Becky (who used to be Aunt Becky, my dog Lulu, and that dude over there getting a latte...
Fade Out
Friday, June 29, 2007
Friday, June 22, 2007
I Can't Write Shit In Las Vegas
FADE IN:
That's a misnomer. All I have been screenwriting while on vacation this week in Las Vegas IS shit. Ever try to find time to stop drinking $12-14 cocktails, $4 bottles of purified tap water, look away from the girls at the pool dropping their towels, refuse to hit CASH OUT on the slot machines, apply blister cream to my toesies from walking mile after mile through the casinos, in order to put in some quality screenplay writing time?
Yeah, it is extremely difficult to concentrate and I failed at all attempts to get anything of real quality done.
I sort of half-hung-overly fiddled with ripping apart my horror/gangster rewrite and did a new opening to my kidnapping thriller, so not all a waste.
I vow to dig in my bandaged and swollen heels when I get home (right now I am on hotel Wi-Fi in Holbrook, Arizona on my way home) and do some 8 hour writing shifts... time to get some product out there, baby.
Las Vegas 1 The Gordons 0
Fade Out
That's a misnomer. All I have been screenwriting while on vacation this week in Las Vegas IS shit. Ever try to find time to stop drinking $12-14 cocktails, $4 bottles of purified tap water, look away from the girls at the pool dropping their towels, refuse to hit CASH OUT on the slot machines, apply blister cream to my toesies from walking mile after mile through the casinos, in order to put in some quality screenplay writing time?
Yeah, it is extremely difficult to concentrate and I failed at all attempts to get anything of real quality done.
I sort of half-hung-overly fiddled with ripping apart my horror/gangster rewrite and did a new opening to my kidnapping thriller, so not all a waste.
I vow to dig in my bandaged and swollen heels when I get home (right now I am on hotel Wi-Fi in Holbrook, Arizona on my way home) and do some 8 hour writing shifts... time to get some product out there, baby.
Las Vegas 1 The Gordons 0
Fade Out
Sunday, June 17, 2007
Live Insurance in Movies
FADE IN:
There has been a movie in regards to just about everything you can imagine, with just about every aspect you could possibly relate to it. One such item that is often common place in many movies is life insurance. There are many films with movie stars that call for the death of a family member with the life insurance policies going to a wife or other individual in the family. Of course, the death is usually a murder or other suspicious event that looks like the relative receiving the money had something to do with it, in order to receive the large insurance policy.
For the rest of the movie, these scripts call for the movie starts to try and determine if the family member had anything to do with the murder and if they should actually receive the money from the insurance policy. Chances are you have seen this take place many times on film and television, and more than likely it is not the last time you are going to see scripts and movie stars portraying a family member becoming murdered just so an individual is able to claim all the money and move onto a better life.
Fade Out
There has been a movie in regards to just about everything you can imagine, with just about every aspect you could possibly relate to it. One such item that is often common place in many movies is life insurance. There are many films with movie stars that call for the death of a family member with the life insurance policies going to a wife or other individual in the family. Of course, the death is usually a murder or other suspicious event that looks like the relative receiving the money had something to do with it, in order to receive the large insurance policy.
For the rest of the movie, these scripts call for the movie starts to try and determine if the family member had anything to do with the murder and if they should actually receive the money from the insurance policy. Chances are you have seen this take place many times on film and television, and more than likely it is not the last time you are going to see scripts and movie stars portraying a family member becoming murdered just so an individual is able to claim all the money and move onto a better life.
Fade Out
Wednesday, June 13, 2007
The Power Of Three
FADE IN:
Stole this one from Coyote Underground Do it if ya wanna...
Three things that scare me:
1 celebrity fantacism in the media (ala Paris, Anna Nicole obsession)
2 The American Idolization and Game Show rape of the television landscape
3 impotence
Three people who make me laugh:
1 Robin Williams
2 movie critics as an entity
3 a handful of wiseass bloggers from my blog roll who give me a run for my money
Three Things I love:
1 caramel apple martinis
2 writing spec screenplays
3 my partner in life crime, Lisa
Three Things I hate:
1 second guessing/conclusion jumping (the worst Olympic sports IMHO)
2 humidity
3 raspberries
Three things I don't understand:
1 organized religion
2 red state/blue state battle politics
3 making celebrities out of normally regular people with media saturation
Three things on my desk:
1 Hollywood Creative Directory
2 self-made screenwriting tips index cards (along with curent logline of my spec)
3 Tweety Bird keychain
Three things I'm doing right now:
1 killing time before Dale Earnhardt Jr. announces the team he is switching to
2 browsing new releases on Napster streaming radio to see what to hear today
3 chatting with my Dad on Yahoo IM
Three things I want to do before I die:
1 write "screenwriter" as my job on my IRS tax form
2 cross country road trip hitting the cities I have never been to before
3 get my weight down to under 200
Three things I can do:
1 Write smooth flowing dialogue and descriptive action sequences
2 see dead people... nah, not really, but I have a knack for identifying celebrities by their voices
3 listen well
Three ways to describe my personality:
1 jovial
2 quixotic
3 wisenheimer
Three things I can't do:
1 swim
2 skate
3 stop tinkering with my scripts
Three actors you enjoy immensely
1. Al Pacino
2. Sean Penn
3. ------------- (it changes daily) today it's George Clooney
Three things you regret
1. not starting my writing career earlier, like 10 years earlier
2. not branching into other products on ebay so I'd have a transition phase and not get stuck with something that isn't selling anymore, hence my day job sucks now
3. spending all that money entering screenplay contests
Three favourite movies
1. The Graduate
2. Ocean's 11 (first remake)
3. Jaws
Three favourite screenplays
1. Fabulous Baker Boys
2. Rocky
3. Alien
Fade Out
Stole this one from Coyote Underground Do it if ya wanna...
Three things that scare me:
1 celebrity fantacism in the media (ala Paris, Anna Nicole obsession)
2 The American Idolization and Game Show rape of the television landscape
3 impotence
Three people who make me laugh:
1 Robin Williams
2 movie critics as an entity
3 a handful of wiseass bloggers from my blog roll who give me a run for my money
Three Things I love:
1 caramel apple martinis
2 writing spec screenplays
3 my partner in life crime, Lisa
Three Things I hate:
1 second guessing/conclusion jumping (the worst Olympic sports IMHO)
2 humidity
3 raspberries
Three things I don't understand:
1 organized religion
2 red state/blue state battle politics
3 making celebrities out of normally regular people with media saturation
Three things on my desk:
1 Hollywood Creative Directory
2 self-made screenwriting tips index cards (along with curent logline of my spec)
3 Tweety Bird keychain
Three things I'm doing right now:
1 killing time before Dale Earnhardt Jr. announces the team he is switching to
2 browsing new releases on Napster streaming radio to see what to hear today
3 chatting with my Dad on Yahoo IM
Three things I want to do before I die:
1 write "screenwriter" as my job on my IRS tax form
2 cross country road trip hitting the cities I have never been to before
3 get my weight down to under 200
Three things I can do:
1 Write smooth flowing dialogue and descriptive action sequences
2 see dead people... nah, not really, but I have a knack for identifying celebrities by their voices
3 listen well
Three ways to describe my personality:
1 jovial
2 quixotic
3 wisenheimer
Three things I can't do:
1 swim
2 skate
3 stop tinkering with my scripts
Three actors you enjoy immensely
1. Al Pacino
2. Sean Penn
3. ------------- (it changes daily) today it's George Clooney
Three things you regret
1. not starting my writing career earlier, like 10 years earlier
2. not branching into other products on ebay so I'd have a transition phase and not get stuck with something that isn't selling anymore, hence my day job sucks now
3. spending all that money entering screenplay contests
Three favourite movies
1. The Graduate
2. Ocean's 11 (first remake)
3. Jaws
Three favourite screenplays
1. Fabulous Baker Boys
2. Rocky
3. Alien
Fade Out
Tuesday, June 12, 2007
Last Sopranos Episode Was A Dream
FADE IN:
The Sopranos final episode was all a hopeful dream of Tony's... hey, it is totally plausible if you think that each time David Chase wrote an episiode it had one of those wacky dream sequences in it, and the opening of the finale did have a surreal dream-like quality to it...
In this excellent interview with Chase there is a few blogger entries after it and RUTGERSBCS has a fabulous theory
"Tony falls asleep (in the second to last episode) in a barren room. No sheets on bed, no alrms clock, nothing. When he apparently wakes up, there are sheets on bed, a mirror, an alarm clock with music going off. None of that was in the end of last week's show. Tony dreams the whole last episode. A.J getting settled, Phil going down and agent harris cheering for him, Meadow becoming a lawyer and getting married. In the end, he sees himself sitting at the table. He is dreaming of having dinner with his family. Its ends when tony wakes up from his great dream. When A.J. says during the episode, "you are all living in a dream", that is a clue. sheets on bed, A.J's comment, and tony seeing himself at the end are all clues that the show really ended last week. This weeks episode was all a dream."
Here is the link to the entire interview: Interview
R.I.P. Tony and kudos to James Gandolfini for morphing David's character into the lovable hunk of stinging onion in the eye we grew to love
Fade Out
The Sopranos final episode was all a hopeful dream of Tony's... hey, it is totally plausible if you think that each time David Chase wrote an episiode it had one of those wacky dream sequences in it, and the opening of the finale did have a surreal dream-like quality to it...
In this excellent interview with Chase there is a few blogger entries after it and RUTGERSBCS has a fabulous theory
"Tony falls asleep (in the second to last episode) in a barren room. No sheets on bed, no alrms clock, nothing. When he apparently wakes up, there are sheets on bed, a mirror, an alarm clock with music going off. None of that was in the end of last week's show. Tony dreams the whole last episode. A.J getting settled, Phil going down and agent harris cheering for him, Meadow becoming a lawyer and getting married. In the end, he sees himself sitting at the table. He is dreaming of having dinner with his family. Its ends when tony wakes up from his great dream. When A.J. says during the episode, "you are all living in a dream", that is a clue. sheets on bed, A.J's comment, and tony seeing himself at the end are all clues that the show really ended last week. This weeks episode was all a dream."
Here is the link to the entire interview: Interview
R.I.P. Tony and kudos to James Gandolfini for morphing David's character into the lovable hunk of stinging onion in the eye we grew to love
Fade Out
Thursday, January 11, 2007
Despite Being A Writer I Also Like Reading Screenplays
Fade In:
One of the best ways to learn the art of screenwriting is:
a) pay $500 for a two-day weekend to hear an unpublished/unsold writer pontificate off a pedestal, then make side deals afterward charging impressionable/gullible newbie writers an addtional $200+ to write coverage/critique their personal opus they have slaved over for the past 18 months
b) continually submit the same dusted off-slap a new cover on it script to contests that don't give feedback, never wondering why you don't make it past the first round, never change a word, keep thinking it's THEM not you and one day your one script will see the light of day
c) buy every writing book on the market, get the hat and T-shirt, hang out in writing groups and coffee shops saying you are a writer, and by osmosis, not actually completing anything always having a work in progress, will somehow become a writer by default
d) watch the Top 10 Rented Movies from Netflix and Box Office Weekend Champ only
e) hire a washed up ex-screenwriter ghost writer who really needs 1) drink 2)drugs 3)shelter, works for cheap and won't be missed when you kill them and submit for arbitration under your own name
Of course the answer is NONE of the above.
I think the best way to learn is do, and then see how it is done, otherwise WRITE and READ screenplays. Personally, I write every day, did a bang up job following last year's resolution, batting 100% for 2007 so far.
To feed my monster when I am in downtime, unwinding, sipping my martini waiting for the rap videos on VH1 Classics to finish playing so I can crank the volume back up, I enjoy reading professional screenplays.
I have a handful in PDF format I'd consider trading to any of my fellow blogpersons, if they are also interested?
Email me
Fade Out
EDIT: I guess I should list what I am looking for huh?
Atlantic City
The Descent
Silent Hill
Radio Flyer
Steel Magnolias
Scrooged
Point Of No Return
Terms Of Endearment
Thomas Crown Affair
Family Business
Trick Or Treat
One of the best ways to learn the art of screenwriting is:
a) pay $500 for a two-day weekend to hear an unpublished/unsold writer pontificate off a pedestal, then make side deals afterward charging impressionable/gullible newbie writers an addtional $200+ to write coverage/critique their personal opus they have slaved over for the past 18 months
b) continually submit the same dusted off-slap a new cover on it script to contests that don't give feedback, never wondering why you don't make it past the first round, never change a word, keep thinking it's THEM not you and one day your one script will see the light of day
c) buy every writing book on the market, get the hat and T-shirt, hang out in writing groups and coffee shops saying you are a writer, and by osmosis, not actually completing anything always having a work in progress, will somehow become a writer by default
d) watch the Top 10 Rented Movies from Netflix and Box Office Weekend Champ only
e) hire a washed up ex-screenwriter ghost writer who really needs 1) drink 2)drugs 3)shelter, works for cheap and won't be missed when you kill them and submit for arbitration under your own name
Of course the answer is NONE of the above.
I think the best way to learn is do, and then see how it is done, otherwise WRITE and READ screenplays. Personally, I write every day, did a bang up job following last year's resolution, batting 100% for 2007 so far.
To feed my monster when I am in downtime, unwinding, sipping my martini waiting for the rap videos on VH1 Classics to finish playing so I can crank the volume back up, I enjoy reading professional screenplays.
I have a handful in PDF format I'd consider trading to any of my fellow blogpersons, if they are also interested?
Email me
Fade Out
EDIT: I guess I should list what I am looking for huh?
Atlantic City
The Descent
Silent Hill
Radio Flyer
Steel Magnolias
Scrooged
Point Of No Return
Terms Of Endearment
Thomas Crown Affair
Family Business
Trick Or Treat
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